Paul Collins
Untitled (Tornado), 2023
Lithography on BFK Rives 300g vellum. 100x80 cm. Ed. 20.
1 200 €
Untitled (News), 2023
Lithography on BFK Rives 300g vellum. 100x80 cm. Ed. 20.
1 200 €
Untitled (Bois), 2021
Lithography and woodcut
on BFK Rives 250g. 65×50 cm. Ed. 30.
700 €
Untitled (Deus Ex Machina), 2021
Lithography and stamp by artist
on BFK Rives 250g. 65×50 cm. Ed. 22.
700 €
Paul Collins in March 2023 preparing image.
Untitled (Iris), 2021
Lithography and stamp by artist. 32×25 cm. Ed. 22.
300 €
Untitled (Daisy), 2021
Lithography and stamp by artist. 32×25 cm. Ed. 22.
300 €
Untitled (Lily), 2021
Lithography and stamp by artist. 32×25 cm. Ed. 22.
300 €
Untitled (Chrysanthemum), 2021
Lithography and stamp by artist. 32×25 cm. Ed. 22.
300 €
Untitled (cage), 2021
Lithograph and stamp by artist
on BFK Rives 250g. 62×45 cm. Ed. 25.
500 €
Untitled (web), 2021
Lithograph and stamp by artist
on BFK Rives 250g. 65×50 cm. Ed. 20.
500 €
Paul Collins
Born in 1955 in Toronto, Canada.
Lives and works in Paris.
Paul Collins' life-long involvement in printing and the print process made his encounter with Michael Woolworth a fortuitous meeting of the minds. For the past 20 years, Collins paintings have almost exclusively used various print methods in the application of paint to canvas. Relief printing and screen printing have been his most oft-used techniques, and these new lithographs for Woolworth Publications are a translation of his paintings onto the lithographic stone. These prints explore the magic of those interference patterns that we call moirés, in the creation of a series of dynamic surfaces that undulate and float on the picture plane. These abstract compositions are enhanced, and further interfered with, through the addition of marginal commentary in the form of an adjunct rubber stamp. The stamps act as a foil to these non-objective abstractions, much as marginalia on a printed document interrupt and extend the reading of that document. They also act here, as representations of our incidental thoughts in the wandering mind as we are confronted with such abstract stimuli as a painting, a piece of music, a poem, or another human.
2024 — 2000
Abdelkader Benchamma
Carole Benzaken
Stéphane Bordarier
Claire Chesnier
Ludovic Chemarin©
Paul Collins
Gunter Damisch
Armelle de Sainte Marie
Mélanie Delattre-Vogt
Didier Demozay
Marc Desgrandchamps
Blaise Drummond
Jim Dine
Brecht Evens
Philippe Favier
Gilgian Gelzer
Richard Gorman
Marie-Ange Guilleminot
Bruno Hellenbosch
Lamarche Ovize
Bertrand Lavier
Pierre Le-Tan
Frédérique Loutz
Mirka Lugosi
Pierre Mabille
William MacKendree
Matt Magee
Maude Maris
Jean François Maurige
Kate McCrickard
Miquel Mont
Daniel Nadaud
Farhad Ostovani
Marielle Paul
Stéphane Pencréac’h
Jaume Plensa
Anne et Patrick Poirier
François Righi
Johann Rivat
Katia Santibanez
Christian Schwarzwald
Massinissa Selmani
David Shrigley
José Maria Sicilia
James Siena
Peter Soriano
Djamel Tatah
Barthélémy Toguo
Artists’ books
1999 — 1979
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