Gesualdo 8, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 2, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 3, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 4, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 5, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 6, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 7, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 1, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 10, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 11, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Gesualdo 9, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
600 €
Ruisseaux et Loriots 1, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
450 €
Ruisseaux et Loriots 2, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
450 €
Ruisseaux et Loriots 3, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
450 €
Ruisseaux et Loriots 4, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
450 €
Fortuna 1, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
380 €
Fortuna 2, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
380 €
Fortuna 3, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
380 €
Untitled (red), 1995
Lithography on Rives vellum 300g paper. 120 x 80 cm. Ed. 20.
Not available.
Fortuna 4, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
380 €
Blason I, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
Sold out.
Blason II, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
1 500 €
Blason III, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
1 500 €
Blason IV, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
1 500 €
Blason V, 2000
Lithograph in 2 parts on Arches 270g vellum paper.
100 x 70 cm. Ed. 20.
800 €
Blason VI, 2000
Lithograph in 2 parts on Arches 270g vellum paper.
100 x 70 cm. Ed. 20.
800 €
Blason VII, 2000
Lithograph in 2 parts on Arches 270g vellum paper.
100 x 70 cm. Ed. 20.
800 €
Sistema 1, 2001
Lithograph on Laurier 250g vellum paper. 76 x 56 cm. Ed. 30.
800 €
Sistema 2, 2001
Lithograph on Laurier 250g vellum paper. 76 x 56 cm. Ed. 30.
800 €
Sistema 3, 2001
Lithograph on Laurier 250g vellum paper. 76 x 56 cm. Ed. 30.
800 €
Untitled 2, 1995
Lithography. 120x80 cm. Ed. 20.
Not available.
Untitled 1, 1995
Lithograph on Rives 270g vellum paper. 90 x 63 cm. Ed. 30.
1 000 €
Untitled 2, 1995
Lithograph on Rives 270g vellum paper. 90 x 63 cm. Ed. 30.
1 000 €
Untitled (Oro 2), 1994
Lithography. 90x63 cm. Ed. 22.
1 000 €
Untitled (Oro), 1994
Lithography. 90x63 cm. Ed 22.
1 000 €
Jazz trinidad I, 1998
Lithograph on Rivoli ivoire 240g. 82 x 58,5cm. Ed 30.
760 €
Jazz trinidad II, 1998
Lithograph on Rivoli ivoire 240g. 82 x 58,5cm. Ed 30.
760 €
Jazz trinidad III, 1998
Lithograph on Rivoli ivoire 240g. 82 x 58,5cm. Ed 30.
760 €
Born in 1949 in Zaragoza (Spain). Lives and works in Majorca.
The first of many Spanish artists to work with the shop, Broto began in 1986 and spent several years making highly experimental prints with us. Our collaborations include the series Gesualdo (1992), lyrical brushstrokes on litho stone, and a number of innovative projects in the late 1990s. Fascinated by new technologies, Broto combined digital printing with lithography in Blason, Machine and Sistema (1998-2001), juxtaposing his gestural marks with computer generated drawings — well ahead of their time.
Né en 1949 à Saragosse (Espagne). Vit et travaille à Majorque.
Ce peintre abstrait, proche de Tapiés dans sa jeunesse, est en 1986 le premier artiste d’origine espagnole à pousser la porte de l’atelier. Une collaboration au long cours à travers laquelle s’épanouira son oeuvre imprimé, très expérimental, comme en témoigne la série lyrique Gesualdo (1992), lavis fluides sur pierre lithographique. À la fin des années 90, fasciné par les nouveaux logiciels, il explore l’impression numérique sur calque, transférée ensuite sur une matrice lithographique ; les séries Blason, Machine et Sistema (1998-2001) juxtaposent un geste manuel, libre et translucide, et des images dessinées sur ordinateur.
