Michael Woolworth

José Manuel Broto

Gesualdo 8, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25

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Gesualdo 2, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 3, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 4, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 5, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 6, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 7, 1992
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Gesualdo 1, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 10, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 11, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Gesualdo 9, 1992
Lithography on Arches vellum 250g paper. 50x38 cm. Ed. 25
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Ruisseaux et Loriots 1, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
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Ruisseaux et Loriots 2, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
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Ruisseaux et Loriots 3, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
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Ruisseaux et Loriots 4, 1992
Lithography on Rives 300g vellum paper. 65 x 50 cm. Ed. 25.
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Fortuna 1, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
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Fortuna 2, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
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Fortuna 3, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
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Untitled (red), 1995
Lithography on Rives vellum 300g paper. 120 x 80 cm. Ed. 20.
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Fortuna 4, 1997
Lithography on Rives 300g vellum paper. 35 x 25 cm. Ed. 20.
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Blason I, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
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Blason II, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
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Blason III, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
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Blason IV, 2000
Lithograph in 4 parts on Rives 300g vellum paper.
162,5 x 99 cm. Ed. 20.
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Blason V, 2000
Lithograph in 2 parts on Arches 270g vellum paper.
100 x 70 cm. Ed. 20.
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Blason VI, 2000
Lithograph in 2 parts on Arches 270g vellum paper.
100 x 70 cm. Ed. 20.
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Blason VII, 2000
Lithograph in 2 parts on Arches 270g vellum paper.
100 x 70 cm. Ed. 20.
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Sistema 1, 2001
Lithograph on Laurier 250g vellum paper. 76 x 56 cm. Ed. 30.
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Sistema 2, 2001
Lithograph on Laurier 250g vellum paper. 76 x 56 cm. Ed. 30.
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Sistema 3, 2001
Lithograph on Laurier 250g vellum paper. 76 x 56 cm. Ed. 30.
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Untitled 2, 1995
Lithography. 120x80 cm. Ed. 20.
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Untitled 1, 1995
Lithograph on Rives 270g vellum paper. 90 x 63 cm. Ed. 30.
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Untitled 2, 1995
Lithograph on Rives 270g vellum paper. 90 x 63 cm. Ed. 30.
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Untitled (Oro 2), 1994
Lithography. 90x63 cm. Ed. 22.
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Untitled (Oro), 1994
Lithography. 90x63 cm. Ed 22.
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Jazz trinidad I, 1998
Lithograph on Rivoli ivoire 240g. 82 x 58,5cm. Ed 30.
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Jazz trinidad II, 1998
Lithograph on Rivoli ivoire 240g. 82 x 58,5cm. Ed 30.
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Jazz trinidad III, 1998
Lithograph on Rivoli ivoire 240g. 82 x 58,5cm. Ed 30.
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José Manuel Broto
Né en 1949 à Saragosse, Espagne.
Vit et travaille à Majorque.

Ce peintre abstrait, proche de Tapiés dans sa jeunesse, est en 1986 le premier artiste d’origine espagnole à pousser la porte de l’atelier. Une collaboration au long cours à travers laquelle s’épanouira son oeuvre imprimé, très expérimental, comme en témoigne la série lyrique Gesualdo (1992), lavis fluides sur pierre lithographique. À la fin des années 90, fasciné par les nouveaux logiciels, il explore l’impression numérique sur calque, transférée ensuite sur une matrice lithographique ; les séries Blason, Machine et Sistema (1998-2001) juxtaposent un geste manuel, libre et translucide, et des images dessinées sur ordinateur.

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