First time with Xinyi Cheng, and her first time doing monotype.

December 16 was a night to be remembered. Three poets took the floor and bewildered the audience.
Another Double Change collaboration.

Lisa Robertson with two of her literary collaborators.

Rayon Fossile, a huge solo exhibit by Abdelkader Benchamma in Avignon in the beautiful Collection Lambert museum. A shot of one of the main spaces with his in situ work.

Meanwhile in Paris, he hung a particular show in an ad agency's space just with our lithographs he made hand interventions on.

London based Irish painter, Suzy Murphy has arrived in town to perform large format monotypes for the London Lyndsey Ingram Gallery.

A grueling three day stint which began on the floor.

Our first participation in a Spanish fair in 17 years brought us to Bilbao for several days. Four pieces by Miquel Mont proudly hanging.

Our first poetry evening since pre-covid, a collaboration with Double Change, kicked off November 16 with brilliant Liliane Giraudon and followed by American author Thalia Field.

A commissioned piece for a private company specialized in hearing research asked the Cameroun artist and the shop to produce an edition of 100. Toguo came up with the idea to carve in linoleum a rendering of African instrument, the bombolong. It carries sound furthest than any other and can be heard miles away, from one village to another.

A diehard weathered artist in etching came to us from his retreat in the Cherbourg area for a special project he could not do alone. 80 year old Gérard Gwezenneg asked to print a small edition of these large tondos at 10 copies each: aluminum plates used to protect cinema film he recovered from a movie theatre in Cherbourg and then etched in drypoint.

An experienced etching printmaker, Bich Rosalie Nguyen was asked to join us for the occasion. She had met years before Gwezenneg and was familiar with his style.

It was a grand success and everyone posed for a photo-op.

Armelle adjusts her mask outs.

Djamel Tatah ready to sign our latest monumental woodcut.

It finally arrived. The day for the artist to sign and number the edition we worked on for so long in Spring Summer and early Fall.
Jean-Michel shows happiness in front of shop tech team all present.

Michael Woolworth jeers at camera during verification session of each copy before assembling.

First day on location for draftsman.

Virgile Ittah, curator Thomas Havet, Kai Yoda in front of our one of a kind suspended lithos on metal.

Abdelkader in to sign his newest endeavor: Ghost Airship.

Carole Benzaken in for a visit to verify last step of her two new pieces.

We needle some last details.

This month of June has produced one of our latest spectacular bodies of work. Gilgian Gelzer came in for two weeks to take over the whole shop, and all its crew and presses. The result was 11 serial pieces in three different formats, and 14 unique pieces.

The team included 4 young interns, students from various schools. Here, Lisa Prudent and Louise Faure passing the roller on one of Gelzer's plates, under the supervision of Julien Torhy.

Paul Moragues spreads a yellow.

Julien Torhy in hot discussion about the next color choice.

The artist in action with the Dremel.

The tech team would quickly place on the wall the first new results.

A happy artist on signing day.

The two artists take a long look at their final version.

Julien, up on sink, is a top printer, but also a wonderful cook for us every day, and now he's improving, with Paul Moragues and I, our kitchen layout.

Mélanie, occupies the front space out of harm's way, and peacefully makes forward progress on her new wonderful compositions.

Brecht, happy to show you his accomplishment.

Jean François Maurige is back with new ambitions.

The two artists smiling for the camera.

Marielle Paul points out detail to correct to printer Paul Moragues.

Collins giving instructions to printer Paul Moragues.

Djamel Tatah, waiting to swoop in to action, photographed by Paul Collins.

Armelle discusses future ideas, in front of trial in purple brown on wall of new image.

The Colissimo series is getting signed. Our most ambitious project to date.

Paul Collins preps his composition by painting gum arabic in the future blank areas as a mask.

Loutz starting her new animal series and Mïrka, adding some graphite touches to 3rd version of our spaceship.

The B.A.T. (prototype) of our first collaboration with painter Armelle de Sainte Marie. An original lithograph commissioned for and by the Summer arts program in Brittany, L'art dans les chapelles.

With future Frédérique Loutz's behind her, Mïrka Lugosi in front of her 3rd spaceship version.

Paul Moragués shows intern Milton Mondal how to work as a team for resurfacing litho stones.

Miquel Mont with last minute corrections on his new 45 rpm cover designs.

Frédérique Loutz has returned to up the ante and confront a large format in color.

Before starting the new piece, she finishes pastel work on each proof of Tulipes that were never completed.

Brecht Evens is spending quite some time with us. A shot of him with the tech team who are trying to keep up with him.

The artist in full swing on new compositions.

Longtime customer, Farhad Ostovani, is back to pose his leaf composition on stone.

A local private cultural cultural club has commissioned street artist 'Madame' to produce an original litho.

The artist collages on each print tears in red.

Master drawer Mïrka Lugosi finished signing her yearlong piece, Paysage avec une soucoupe. A long process.

Artist peeks at the camera.

Both drawing on mylar,

We haven't worked with Catherine Viollet since the early 90's.