Maude Maris in front of virgin stones, ponders what to do.

The big day has arrived. Mélanie Delattre-Vogt signs our edition wonder of "La femme à la fourrure".

Printers Logan and Paul on Pencréac'h book.

Stéphane Pencréac'h (right) comes for blastoff of his mega book project "Le pouvoir". First step, we print backgrounds at machine shop Atelier Fleur de Pierre, to bring the whole edition to finish at the Bastille over the next months. Julien Torhy on left.

New blood with painter Paul Collins, in to lay down his moiré structures on stone.

The Grammaj team, Julie Walter and Audrey Cour, along with singer's manager, watch nervously Albin de la Simone's private photo shoot.

Carole Benzaken concentrates on her stone for the second color pass.

Michael and Paul reading 'The Democrate de l'Aisne', France's last newspaper entirely printed in letterpress. And in its 115th year of existence. A real feat.

Photo shoot before opening of The Painting People. Iconic photographer Renaud Monfourny zooms in on Claire Chesnier in front of her monotypes.

The Othoniel task force over to protect the recent gokl leaf paintings hot off the press.

On a quite early Wednesday morning before any activity begins, Jean-Michel Othoniel shows up to work a composition.

The run of 60 Fromanger prints hanging out to dsry.

Paul Moragués and Lola Nogués working a future Philippe Favier edition.

June was amongst other things Maude Maris month. SHe was the second of the 8 artists portfolio series to come in and try out like most of them her first lithograph.

Jean François Mauirge preps his poster signe outside our door to signal public entrance. We staged a show of our first experiments in 1991, honoring the launch of the catalogue raisonné of all our production.

A crazy project by engraver Thomas Perino. He carved the full set of 78 tarot cards in woodcut, inspired by the original Marseille tarot. Michael and Paul inking up first proofs.

Several individual cards before inking.

Mirka Lugosi sees for the first time the proofs of her landscape. The moment of truth.

Michael and Julien hard on the Mélanie woman in fur run.

Sculptor Guillaume Talbi preps his first lithograph ever. One of the 8 artists of Saint-Ange project.

Mathilde Denize arrives to draw her stone. She is the first of 8 artists for a portfolio project honoring an artist residency program they all went to - Saint-Ange, near Grenoble. An edition financed by residency owner and collector, Colette Tornier.

Printers Paul Moragués and Léa Tupper concentrate on production of large format Matt Magee lithograph.

Mirka Lugosi arrived to finally finish her future landscape.

Mélanie Delattre-Vogt was the first human to come back to work a few days before May 11 deconfinement to not be with many people at same time.

Poetry night partner and co-chairman of Double Change, Olivier Brossard, introduces the two writers. 

Philippe Favier correcting drawing on ongoing Letraset series.

A new large format series of three compositions by Djamel Tatah in their beginning stages of construction.

Mélanie Delattre-Vogt nearing the end on this 'Femme à la fourrure', started last November.

Day One installing studio space for the most intense upcoming week one can live in this world of printmaking.

Schwarzwald working with Zélie Nguyen, on of the three hired hands for the occasion, on a double page.

A narrow table structure is erected all around against the big walls. The paper for the edition, folded for the single pages, flat for the doubles, are piled evenly in layout order. The corresponding image is tacked to the wall above each pile.

Paul passes the inked plate to Joë Landois, who passes it through the press.

On Day 4, we move to color red. The book has 7 chapters. Each chapter has its visual identity, at times with a color change. There are 4 colors throughout: black, blue, red and yellow.

Day 6, and final day for this first go. The Austrian artist will go back to Vienna, and schedule another seance later in the season.

Djamel Tatah signs while cracking up, his new woodcut edition, under humble surveillance.

Bernard Plossu (right) on stage with mediator and old friend, research artist Don Foresta for a wild night in front of a full house, to share and talk about a series of unpublished photographs he took between 1967 and 1973 while living in San Francisco. His life amidst the counter culture, including portraits of some of its main actors.

Its been 5 years, Mélanie and the shop have been producing editionned images together. 15 to this day, with two new ones in progress.

First trial composition in lithography for book project. A bound book of around 54 pages with 20 portraits of power hungry politicians around the planet, accompanied by a text by French thriller author D.O.A.

Master drawer Frédérique Loutz is back in town to push several new ideas in lithography. Here, she begins a very large format with her unique model next to her.

Mirka is finally back with us after a month held up in her suburb due to sever transport strikes.

Matt Magee flies in for a week in Paris to sign all of our finished editions started last Summer.

Here's Matt Magee in full swing painting his hieroglyphs on tracing paper to be transferred to litho plate.

He attacks a second one.

The artist behind her daunting stacks of prints to be signed.

Scene of the crime during work sessions with painter Claire Chesnier as we make forward progress on our 'invented' monotype process. One can notice on back wall results from the day's catch.

The first days of January, thus the new year, were kicked off by Belgian painter Bruno Hellenbosch, in town for a signing.