{"id":3280,"date":"2022-03-03T23:57:14","date_gmt":"2017-04-10T14:15:41","guid":{"rendered":"https:\/\/dev.michaelwoolworth.com\/atelier-2\/"},"modified":"2025-02-06T07:25:58","modified_gmt":"2025-02-06T06:25:58","slug":"about","status":"publish","type":"page","link":"https:\/\/www.michaelwoolworth.com\/?page_id=3280","title":{"rendered":"About"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-3280","page","type-page","status-publish","hentry"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4,\r\n    4\r\n  ],\r\n  \"frameMargin\": 15,\r\n  \"leftFrameMargin\": 15,\r\n  \"rightFrameMargin\": 15,\r\n  \"topFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 10,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"relid\": 25\r\n    },\r\n    {\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"relid\": 32\r\n    },\r\n    {\r\n      \"relid\": 33\r\n    },\r\n    {\r\n      \"relid\": 34\r\n    },\r\n    {\r\n      \"relid\": 35\r\n    },\r\n    {\r\n      \"relid\": 36\r\n    },\r\n    {\r\n      \"relid\": 37\r\n    },\r\n    {\r\n      \"relid\": 38\r\n    },\r\n    {\r\n      \"relid\": 39\r\n    },\r\n    {\r\n      \"relid\": 40\r\n    },\r\n    {\r\n      \"relid\": 41\r\n    },\r\n    {\r\n      \"relid\": 42\r\n    },\r\n    {\r\n      \"relid\": 43\r\n    },\r\n    {\r\n      \"relid\": 44\r\n    },\r\n    {\r\n      \"relid\": 45\r\n    },\r\n    {\r\n      \"relid\": 46\r\n    },\r\n    {\r\n      \"relid\": 47\r\n    },\r\n    {\r\n      \"relid\": 48\r\n    },\r\n    {\r\n      \"relid\": 49\r\n    },\r\n    {\r\n      \"relid\": 50\r\n    },\r\n    {\r\n      \"relid\": 51\r\n    },\r\n    {\r\n      \"relid\": 52\r\n    },\r\n    {\r\n      \"relid\": 53\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about.jpg\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 748,\r\n      \"attid\": 4362,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about.jpg\",\r\n        \"_4096\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-4096x2731.jpg\",\r\n        \"_3840\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-3840x2560.jpg\",\r\n        \"_3200\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-3200x2133.jpg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-2560x1707.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-1920x1280.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-1280x853.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-1024x683.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-768x512.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-512x341.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/09\/atelier-web-about-265x177.jpg\"\r\n      },\r\n      \"w\": 4500,\r\n      \"h\": 3000,\r\n      \"ar\": 0.6666666666666666,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">An American-born publisher and printer based in Paris, Michael Woolworth established his atelier in 1985. The shop specializes in lithography techniques as well as woodcuts, linocuts, monotypes, etchings and multiples, all exclusively on hand presses. Michael Woolworth Publications produces its own editions throughout the year and organizes events in galleries, museums, bookstores, art fairs as well as in the print shop.<\/p><p>In 2011, Michael Woolworth received the title Chevalier dans l\u2019ordre des arts et des lettres by the French culture ministry. That same year, he was honored by the French government with the title of Ma\u00eetre d\u2019art and in 2012, recognized as part of France\u2019s \u201cliving heritage\u201d (EPV, or Entreprise du Patrimoine Vivant). In 2015, he co-founded with Sylvie Boulanger, ex-director of CNEAI, the art fair <a rel=\\\"noopener\\\" href=\\\"http:\/\/www.multipleartdays.fr\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">MAD (Multiple Art Days)<\/a> in Paris to promote activity of contemporary artists in edition making. Each year around 100 publishers come to MAD to show their new projects. From 2021 to 2023, Paul Moragues, Ga\u00ebtan Girard and L\u00e9a Tupper have become the full time collaborators in the shop.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/616129121_640.jpg\",\r\n      \"iframe\": \"<iframe src=\\\"\/\/player.vimeo.com\/video\/202123694?api=1&title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"640\\\" height=\\\"360\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/vimeo.com\/202123694\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"ar\": 0.5625,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 1,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">Filmed interview by Arthur Ancion of Michael Woolworth during retrospective at Centre de la Gravure et de l\u2019Image Imprim\u00e9e in La Louvi\u00e8re, Belgium, 2017. A show curated by Catherine de Braekeleer and Marie Van Bosterhaut.<\/p>\",\r\n      \"relid\": 6,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Shop_Big\\\" style=\\\"text-align: center;\\\">The First Years: 1979 - 1985<\/p>\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1916,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/12\/MW-Guillemites.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2017\/12\/MW-Guillemites-1024x703.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/12\/MW-Guillemites-768x527.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/12\/MW-Guillemites-512x352.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/12\/MW-Guillemites-265x182.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/12\/MW-Guillemites.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"ar\": 0.6866666666666666,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 0,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1979 - Michael Woolworth (left) and Franck Bordas at their first space, rue des Guillemites, in the Marais.<\/p>\",\r\n      \"relid\": 7,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false,\r\n      \"w\": 1200,\r\n      \"h\": 824\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 766,\r\n      \"attid\": 4387,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1.jpg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-2560x1713.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-1920x1285.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-1280x857.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-1024x685.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-768x514.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-512x343.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Guillemites-1-265x177.jpg\"\r\n      },\r\n      \"w\": 3000,\r\n      \"h\": 2008,\r\n      \"ar\": 0.6693333333333333,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1980 - Michael Woolworth looking at poster stone by Claude Yvel for 'Lithographie Bordas'<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">Shortly after his arrival in Paris in 1979, Michael Woolworth met Franck Bordas (grandson of lithographer Fernand Mourlot), who had just opened up his own lithography shop. He worked there for six years, first as an assistant and then as partner, working with such artists as Roberto Matta, Jean Dubuffet, Gilles Aillaud, Jorge Camacho, Henri Cueco, Err\u00f3, Daniel Pommereulle, Herv\u00e9 Di Rosa, Jean Messagier, Fran\u00e7ois Boisrond and Guy Rougemont. They went through three addresses. First, 4 rue des Guillemites, 75004, then 192, rue de Clignancourt, 75018, to finish at 7, rue Princesse, 75006, all in Paris.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1915,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/12\/MW-Clignancourt-2.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2017\/12\/MW-Clignancourt-2-1024x689.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/12\/MW-Clignancourt-2-768x516.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/12\/MW-Clignancourt-2-512x344.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/12\/MW-Clignancourt-2-265x178.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/12\/MW-Clignancourt-2.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 5,\r\n      \"ar\": 0.6725,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 0,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1981 - Michael Woolworth, sculptor Jean Clareboudt (center) and Franck Bordas in their workshop, rue de Clignancourt. (photo Clare Wildsmith)<\/p>\",\r\n      \"relid\": 8,\r\n      \"absolute_position\": false,\r\n      \"w\": 1200,\r\n      \"h\": 807\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1.jpg\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 6,\r\n      \"col\": 5,\r\n      \"colspan\": 7,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 994,\r\n      \"attid\": 4381,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1.jpg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-2560x1718.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-1920x1288.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-1280x859.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-1024x687.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-768x515.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-512x344.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-presse-Clignancourt-1-265x178.jpg\"\r\n      },\r\n      \"w\": 3000,\r\n      \"h\": 2013,\r\n      \"ar\": 0.671,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">Michael printing at Clignancourt space, circa 1981. (photo Clare Wildsmith)<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Fernand-Marcel.jpg\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 7,\r\n      \"col\": 3,\r\n      \"colspan\": 7,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 749,\r\n      \"attid\": 4388,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Fernand-Marcel.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Fernand-Marcel-265x174.jpg\"\r\n      },\r\n      \"w\": 277,\r\n      \"h\": 182,\r\n      \"ar\": 0.6570397111913358,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">Michael, Fernand Mourlot and Marcel Trousson on the flatbed press in 1983 at the rue Princesse.\u00a0<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Shop_Big\\\" style=\\\"text-align: center;\\\">The First Atelier On The \u00cele Saint Louis: <br \/>1985 - 2000<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 4379,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2.jpg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-2560x1510.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-1920x1132.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-1280x755.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-1024x604.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-768x453.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-512x302.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2-265x156.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Ile-St-Louis-2.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"ar\": 0.5896666666666667,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 0,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1987 - Assistant Jeff Weber and Woolworth (right) at the first workshop, rue Saint-Louis-en-l\u2019\u00cele.<\/p>\",\r\n      \"relid\": 11,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false,\r\n      \"w\": 3000,\r\n      \"h\": 1769\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1918,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/12\/MW-Ile-1.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2017\/12\/MW-Ile-1-1024x677.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/12\/MW-Ile-1-768x508.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/12\/MW-Ile-1-512x338.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/12\/MW-Ile-1-265x175.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/12\/MW-Ile-1.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 6,\r\n      \"colspan\": 5,\r\n      \"ar\": 0.6608333333333334,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 0,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1988 - Woolworth in the Ile St. Louis studio.<\/p>\",\r\n      \"relid\": 12,\r\n      \"absolute_position\": false,\r\n      \"w\": 1200,\r\n      \"h\": 793\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">In 1985, he opened his own print shop on the \u00cele Saint Louis. His first project, with the Surrealist Matta, consisted of 90 scenes from Cervantes\u2019\u00a0<em>Don Quixote.<\/em> He continued collaborations with Daniel Pommereulle and Jorge Camacho and invited several new artists to work at the shop including Americans William MacKendree and Marc Marder, a composer; Austrian Gunter Damisch, and numerous French artists: Hyperrealist Claude Yvel, Figuration Libre artist R\u00e9mi Blanchard, abstract painters Fr\u00e9d\u00e9rique Lucien, St\u00e9phane Bordarier, Jean-Fran\u00e7ois Maurige and Pierre Mabille, and Arman, with whom he made the 1997 book <em>Afrikan Matricule<\/em>, a poem by Joseph Guglielmi with 26 original lithographs.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 13,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 2050,\r\n      \"sizes\": {\r\n        \"_768\": \"https:\/\/www.michaelwoolworth.com\/wp-content\/uploads\/2018\/02\/MW-Seville-768x1149.jpg\",\r\n        \"_512\": \"https:\/\/www.michaelwoolworth.com\/wp-content\/uploads\/2018\/02\/MW-Seville-512x766.jpg\",\r\n        \"_265\": \"https:\/\/www.michaelwoolworth.com\/wp-content\/uploads\/2018\/02\/MW-Seville-265x397.jpg\",\r\n        \"full\": \"https:\/\/www.michaelwoolworth.com\/wp-content\/uploads\/2018\/02\/MW-Seville.jpg\"\r\n      },\r\n      \"cont\": \"https:\/\/www.michaelwoolworth.com\/wp-content\/uploads\/2018\/02\/MW-Seville-768x1149.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 1,\r\n      \"colspan\": 5,\r\n      \"ar\": 1.4962593516209477,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 1,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1985 - Michael Woolworth (on ladder) in Seville, hanging works by Pierre Mabille to install a traveling show of his print publications, presented in five Andalusian museums.<\/p>\",\r\n      \"relid\": 15,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 6,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 391,\r\n      \"attid\": 4382,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88-1920x2670.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88-1280x1780.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88-1024x1424.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88-768x1068.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88-512x712.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Saga-88-265x369.jpg\"\r\n      },\r\n      \"w\": 1996,\r\n      \"h\": 2776,\r\n      \"ar\": 1.3907815631262526,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">The booth at the SAGA print fair in 1988 showing the iconic first work by Jos\u00e9 Maria Sicilia.<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Over time, the workshop developed into a kind of laboratory for creation, constantly reinventing the art of printmaking. He began publishing several Spanish artists: Jos\u00e9 Manuel Broto, Miguel \u00c1ngel Campano, Jaume Plensa, and started a close collaboration with Jos\u00e9 Maria Sicilia, with whom he has published over 200 editions, including <em>You\u2019re Alone<\/em> (1992), an artist\u2019s book with lithographs dipped in beeswax and sewn together with thread; <em>En Flo<\/em><em>r<\/em> (1999\u20112000), monumental prints made from pressing fresh flowers onto paper; and\u00a0<em>Le livre des mille et une nuits<\/em> (1997\u201198), turning a 1910 French edition of\u00a0<em>A Thousand and One Nights<\/em>\u00a0into a series of books printed on its pages and on sheets of translucent Japanese paper inserted into the volumes.\u00a0<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 12,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 1223,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 7,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1451,\r\n      \"attid\": 4385,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2-1920x1366.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2-1280x911.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2-1024x729.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2-768x546.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2-512x364.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Uzerche-2-265x189.jpg\"\r\n      },\r\n      \"w\": 2378,\r\n      \"h\": 1692,\r\n      \"ar\": 0.7115222876366695,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">Assistant Jeff Weber, Michael Woolworth and Ren\u00e9 Taz\u00e9 at joint booth in 1988 at 2nd Artist Book Fair in Uzerche, France. There were so few clients, we had set up a shooting gallery with Ren\u00e9 to attract small change customers. It was rather a dart board with photomaton portraits of the artists we were publishing. If you hit three, you would get a special original print.<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989.jpg\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 13,\r\n      \"col\": 7,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1679,\r\n      \"attid\": 4376,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989-1920x2943.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989-1280x1962.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989-1024x1570.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989-768x1177.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989-512x785.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Cagnes-sur-Mer-1989-265x406.jpg\"\r\n      },\r\n      \"w\": 1957,\r\n      \"h\": 3000,\r\n      \"ar\": 1.5329586101175268,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">Another Artists Book fair, this time in Cagnes-sur-Mer in 1989. The William MacKendree, <em>M\u00e9t\u00e9ores<\/em>, book was on display.<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">The shop was initially set up with two hand presses: a 63\u00d790cm French lithographic Brisset that formerly belonged to Jean Fautrier, and a 120\u00d7250cm etching press, made-to-order in the 1970s for Swedish artist Bengt Lindstr\u00f6m. Today, the print shop operates with six presses, all manual: three lithographic and three etching that can print formats as large as 3m\u00d71m50.<\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 14,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 17,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1892,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/11\/MWoolworthJJS-1997.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2017\/11\/MWoolworthJJS-1997-1024x794.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/11\/MWoolworthJJS-1997-768x596.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/11\/MWoolworthJJS-1997-512x397.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/11\/MWoolworthJJS-1997-265x206.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/11\/MWoolworthJJS-1997.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 15,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"ar\": 0.7758333333333334,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">1998 - Michael Woolworth (center) at Artist Book International fair in Cologne.<\/p>\",\r\n      \"relid\": 19,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false,\r\n      \"w\": 1200,\r\n      \"h\": 931\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 16,\r\n      \"col\": 0,\r\n      \"colspan\": 11,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1907,\r\n      \"attid\": 4375,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000.jpg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-2560x1686.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-1920x1265.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-1280x843.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-1024x674.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-768x506.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-512x337.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/10\/Michael-Basel-2000-265x175.jpg\"\r\n      },\r\n      \"w\": 3000,\r\n      \"h\": 1976,\r\n      \"ar\": 0.6586666666666666,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">ArtBasel 2000 exhibiting new work by Miguel \u00c1ngel Campano, the <em>Pasacalle<\/em> suite. A shot of the shop team: Michael, Dan Clarke, Paul Laufer and Marta Marugan.<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Shop_Big\\\" style=\\\"text-align: center;\\\">The Second Atelier at Montparnasse: <br \/>2000 - 2001<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 17,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 14,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1920,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/12\/MW-Mont-Tonnerre.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/12\/MW-Mont-Tonnerre-768x1058.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/12\/MW-Mont-Tonnerre-512x705.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/12\/MW-Mont-Tonnerre-265x365.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/12\/MW-Mont-Tonnerre.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 18,\r\n      \"col\": 4,\r\n      \"colspan\": 6,\r\n      \"ar\": 1.3777267508610793,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 4,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">2000 - William MacKendree\u2019s proofs drying in Impasse du Mont Tonnerre space for a solo show at the Woolworth booth at the FIAC.<\/p>\",\r\n      \"relid\": 23,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"w\": 871,\r\n      \"h\": 1200\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">In 2000, Michael Woolworth expanded to a studio in Montparnasse, on the Impasse du Mont Tonnerre, where he began collaborations with Austrian artist Otto Zitko, making prints and the artist\u2019s book\u00a0<em>Polyne<\/em>; French artist Vincent Corpet, publishing several monotypes and a book on transparent plastic sheets; as well as producing geometric works by Miquel Mont; a figurative lithographic triptych by Marc Desgrandchamps; and a series with Australian conceptual artist Mark Themann,\u00a0<em>The Surrogate Cartographer,\u00a0<\/em>made in letterpress and red sealing wax.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 19,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 20,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Shop_Big\\\" style=\\\"text-align: center;\\\">The Third Atelier in Malakoff: - 2002 - 2005<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 20,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 18,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1922,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/12\/Malakoff.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2017\/12\/Malakoff-1024x768.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/12\/Malakoff-768x576.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/12\/Malakoff-512x384.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/12\/Malakoff-265x199.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/12\/Malakoff.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 21,\r\n      \"col\": 2,\r\n      \"colspan\": 7,\r\n      \"ar\": 0.75,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">2002 - Malakoff, \u00a0the \u00a0Woolworth atelier\u2019s third space, with painter and printer Daniel Clarke (right). Images by H\u00e9l\u00e8ne Delprat hanging while the team printing new Jim Dine compositions.<\/p>\",\r\n      \"relid\": 22,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"w\": 1200,\r\n      \"h\": 900\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">The printing studio moved to an even larger space in 2003 in Malakoff,just outside Paris. There, he began, notably, working with Jim Dine, first with a series of sumptuous, large-scale botanical prints and, later, with a monumental project on Pinocchio. The studio also worked with Irish painter Sean Scully, Jean-Pierre Pincemin and H\u00e9l\u00e8ne Delprat, as well as printing the extensive <em>Nuancier<\/em> with Marie-Ange Guilleminot. In 2004, he collaborated with Jos\u00e9 Maria Sicilia on one of the atelier\u2019s most ambitious projects: a \u201crug\u201d measuring 9m\u00d73m printed in lithography on an ensemble of 84 plaster blocks. First shown in the Islamic galleries at the Louvre, the piece has since been exhibited around the world.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 22,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 24,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Shop_Big\\\" style=\\\"text-align: center;\\\">The Fourth Atelier in Bastille: 2005 to Now<\/p>\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 23,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 21,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1923,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/12\/Vintage.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2017\/12\/Vintage-1024x769.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2017\/12\/Vintage-768x577.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2017\/12\/Vintage-512x384.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/12\/Vintage-265x199.jpg\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/12\/Vintage.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 24,\r\n      \"col\": 1,\r\n      \"colspan\": 10,\r\n      \"ar\": 0.7508333333333334,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 1,\r\n      \"caption\": \"<p class=\\\"_Cartel\\\">2013 - The exhibition \u201cVintage\u201d of prints from the atelier\u2019s archives in the current workshop at the Bastille.<\/p>\",\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false,\r\n      \"w\": 1200,\r\n      \"h\": 901\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\">In 2005, the atelier returned to a historic Parisian studio just off the Place de la Bastille. In addition to continuing projects with Jim Dine, Marc Desgrandchamps and Sean Scully, the studio also began collaborating with Yuri Kuper, G\u00fcnther Forg, A.R. Penck, Barth\u00e9l\u00e9my Toguo, Djamel Tatah, St\u00e9phane Pencr\u00e9ac\u2019h, Fr\u00e9d\u00e9rique Loutz, Ofer Lellouche, St\u00e9phane Bordarier, Richard Gorman, Jean-Michel Othoniel, Bertrand Lavier, Allen Jones, David Shrigley, Vittorio Santoro, Jason Dodge, Blaise Drummond, Carole Benzaken, M\u00e9lanie Delattre-Vogt,Philippe Favier....<\/p><p>Since 2016, a younger crowd has also begun collaborating with the shop and pushing the boundaries in their work through the print medium, including Abdelkader Benchamma, renowned comic-book artist Brecht Evens, Claire Chesnier, Cl\u00e9ment Bagot and Eva Nielsen.<\/p><p>But in 2019 and 2020, the most prominent additions have been publishing for the first time American artists Matt Magee and Peter Soriano, along with French Romanian M\u00efrka Lugosi, and Belgian woodcut artist Bruno Hellenbosch.<\/p><p>2021 and 2022 brought new arrivals such as Maude Maris, Pierre di Sciullo, Armelle de Sainte Marie, Paul Collins and the legendary artist duo, Anne and Patrick Poirier.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 25,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 2,\r\n      \"relid\": 27,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"attid\": 1891,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2017\/11\/Petit-imprimeur.gif\",\r\n        \"_265\": \"\/wp-content\/uploads\/2017\/11\/Petit-imprimeur-265x245.gif\"\r\n      },\r\n      \"cont\": \"\/wp-content\/uploads\/2017\/11\/Petit-imprimeur.gif\",\r\n      \"align\": \"top\",\r\n      \"row\": 26,\r\n      \"col\": 4,\r\n      \"colspan\": 4,\r\n      \"ar\": 0.923728813559322,\r\n      \"alt\": \"\",\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 0,\r\n      \"push\": 4,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false,\r\n      \"w\": 472,\r\n      \"h\": 436\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=\/wp\/v2\/pages\/3280"}],"collection":[{"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3280"}],"version-history":[{"count":0,"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=\/wp\/v2\/pages\/3280\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.michaelwoolworth.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}